This March, we’ve been celebrating International Women’s Day and Women’s History Month with a series of inspiring talks and events. Most recently, NET-A-PORTER Fashion Director Kay Barron welcomed special guest Kate Bailey, Senior Curator of Theatre and Performance at the Victoria and Albert Museum, for a live Q&A at our London Westfield office. Together, they explored how Kate sought to redefine the term “diva” through the V&A’s titular exhibition, which showcases the power of iconic performers across opera, stage, popular music and film throughout the years. Revealing how the passion project began, Kate discussed her extensive research journey, looking for stories of triumph from divas who have moved the needle. She also gave insights into her experience in the arts industry and shared her ambitions for the future, recognising the V&A’s championing of both female artists and team members alike. The DIVA exhibition, supported by NET-A-PORTER, will run until 10 April at the V&A. Learn more about incredible women paving the way in their fields on PORTER: https://lnkd.in/enfNztPG
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Really enjoyed sharing more about my art practice with Qissa! We spoke about the idea of home, storytelling, activism within art etc. Check out the full interview below! Special thanks to Cassie Lawrence ✨
What a joy to have our first in-person interview at Qissa with the fabulous Joke Amusan in her London studio! Joke Amusan is a German-Nigerian artist whose art practice highlights the experiences and complex beauty of what it means to be a Black woman through the exploration of identity and heritage. Joke’s art pieces are conversational, encouraging women to come together to share their stories and to embrace who they are unapologetically. We spoke about the idea of home, storytelling and activism within art, her artistic inspirations and so much more! https://lnkd.in/eQMv59dY #contemporaryart #womenartists #Blackartist #fabricart #qissainterviews
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For anyone still in doubt about why diversity of backgrounds and opinions is important, consider this striking example from Baroque art. One story, two marvelous minds and talents, two very different perspectives. This is the representation of a biblical episode where the widow Judith decapitates the general Holofernes in order to defend her hometown from destruction. Artemisia Gentileschi's version shows two powerful women (Judith and her maid) taking the center stage, full of determination and strength, viciously beheading a powerless and desperate Holofernes. To me, we're looking at women who are embracing doing what needs to be done. In Caravaggio's version, Judith seems scared, hesitant, almost passive even. Holofernes appears mighty, as if he remains in control even while being beheaded. Two weak women, not performing an act of heroism, but almost accidentally there, doing a job they were not prepared for. Both - undisputed masterpieces from the Baroque times. This is not to argue that one perspective is superior to the other - but aren't you glad you've seen both? Doesn't it feel like you've got a more complete picture and more food for thought when you look at both, side to side, so vaguely similar yet so wonderfully different? Thanks to Katy Hessel for writing about this, and many more examples of women representation in art, in her wonderful book The Story of Art without Men. #diversity #womenartists #womenempowerment
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Senior Director, Government Affairs at Cresco Labs; New York Urban League Board Member
As we celebrate Women's History Month, it's a time to reflect on the remarkable contributions of women trailblazers who have shaped history and continue to inspire us today. From breaking barriers in male-dominated fields to advocating for social change and innovation, these women have demonstrated resilience, determination, and unwavering commitment to their goals. In this article, we delve into the stories of some extraordinary women who have left an indelible mark on the world and paved the way for future generations.
The Women Who Run Harlem
thecut.com
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Jann Werner justified his lack of women and people of color in his forthcoming book “The Masters” by saying “Just none of them [women and people of color] were as articulate enough on this intellectual level,” Think about the implications of these words. Werner is using a white patriarchal supremacist argument openly and without any self reflection in the paper of record. Rock and Roll is an art form created by Black musicians and stolen by white people without any acknowledgement to the inventors. But who best to speak to it? White men, apparently. The stereotype is that men and boys aren’t as masterful in their use of language. Boys tend to speak later and men use fewer words than women. But put a monetary value to the spoken word or place historical significance and suddenly white men are the most articulate? This is how supremacy works and this is the same dynamic that exists in corporations.
Jann Wenner Removed From Rock Hall Board After Times Interview
https://www.nytimes.com
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Absolutely ForbesBLK, it's heartening to see Black women rightfully gaining recognition for their significant economic influence. 🙌🏾 However, it's crucial to highlight that representation at the top levels remains disappointingly low. 👎🏾 Authenticity is key in tapping into this economic power, and brands need leadership that truly understands the lived experiences of their intended customers. In an age of information, consumers are more discerning than ever, and they're rightly demanding representation and genuine engagement. #RepresentationMatters #ForbesBLK #AuthenticLeadership
“Historically, Black women have faced economic uphill battles in corporate spaces, but also as consumers, however, in the past decade, economic giants have begun to notice, and tap into their buying power. In many ways, Black women, who were often overlooked by consumer brands, have emerged as a formidable economic force, driving trends and shaping industries across the globe.” #ForbesBLK #BlackEntrepreneurship #MusicIndustry
What Beyoncé’s Renaissance World Tour Said About The Economic Impact Of Black Women
forbes.com
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"Black women's buying power is formidable..." and yet companies continue to underestimate our cultural and economic impact. My own article is forthcoming
“Historically, Black women have faced economic uphill battles in corporate spaces, but also as consumers, however, in the past decade, economic giants have begun to notice, and tap into their buying power. In many ways, Black women, who were often overlooked by consumer brands, have emerged as a formidable economic force, driving trends and shaping industries across the globe.” #ForbesBLK #BlackEntrepreneurship #MusicIndustry
What Beyoncé’s Renaissance World Tour Said About The Economic Impact Of Black Women
forbes.com
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Innovative Creative Expert: Driving Positive Change in Society and Environment through Art, Design, and Technology.
This was a really cool read. After finishing the exhibition last year, I feel like the universe is putting more cool stuff my way that I think aligned with the hypothesis of the transparency project: "How representation affects reality". Not only does there seem to be more visibility for Trans identities, but from Trans creatives and stories BY people of that identity. Obviously, there is more work to be done, but this potential shift is what I was hoping to see more of and hope continues. https://lnkd.in/egxz2xKX
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Writer, Curator, and Scholar | Fulbright Researcher | Pulitzer Center Reporting Fellow | Spelman College Alumna
"Souls of Our Nations: The Venice Biennale through a Transnational Black Feminist Lens" I am so proud to share this body of work. With an emphasis on Black women's contributions, intersectionality, scholar-activism, and solidarity building, “Souls of Our Nations” examines the Venice Biennale, the largest and oldest international contemporary art exhibition, through a transnational Black feminist lens. In this project, I investigate how race, gender, and nationality impact the reception of artistry in the context of the so-called ‘Olympics of Art.' The components are multi-faceted, ranging from emotive interviews to in-depth analyses and criticisms. They are also deeply personal, reflecting how the Venice Biennale was profoundly generative for me as a writer, curator, researcher, and young Black woman making sense of her identity. Your support means the world to me, and I can't wait to hear your thoughts on the articles. Published by Pulitzer Center Made possible by Spelman College _________________________________________________________________________________ - "Souls of Our Nations" Landing Page https://lnkd.in/eJNk_PzY The overview of the project. Learn what the Venice Biennale is and what having a transnational Black feminist lens entails. - "This Is Black Girl Utopia: Reflections on Loophole of Retreat: Venice" https://lnkd.in/eyeGUWjc As a part of her historic exhibition Sovereignty at the Venice Biennale, Simone Leigh brought together over 700 scholars, artists, and activists from around the world for Loophole of Retreat: Venice. Shared just minutes after the final session concluded, these remarks elucidate the immediacy and potency of the conference's impact. - "The Stuff of Dreams: My Generative Journey through the 59th Venice Biennale" https://lnkd.in/eMfjzrS6 In Venice, my mind ran unencumbered, investigating the geopolitics of place, race, gender, and nationality. I contemplated the vital role cultural arenas play in shaping and advancing our society. - "How Artist Simone Leigh Helps Me Embrace My Hyphenated Identities" https://lnkd.in/epuvDmeR Simone Leigh’s layering of Black women’s experiences across generations and cultures shows me the beauty in existing in the ‘in-betweens.’ - "Notes From Venice: How a Chance Encounter Led to a Fascinating History Lesson and an Enduring Friendship" https://lnkd.in/eYMW3mE3 A conversation with glass artist Moulaye Niang leads to a conversation about an overlooked component of the Transatlantic slave trade and reflections on how to dismantle Eurocentricity in the arts.
Souls of Our Nations: The Venice Biennale through a Transnational Black Feminist Lens
pulitzercenter.org
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MBA/M.S. Student at University of South Florida Vinik Sport and Entertainment Management Program
https://lnkd.in/e5YJKd7p In Janelle Wells, Ph.D. global class, we've had discussions of occurences of violations of human rights and the challenges athletes or artists in the entertainment world may face with this. Although I am not a runner/sprinter by any means, I have been following Sha'Carri Richardson's story for a few years. Despite the trauma she has gone through losing her mother and facing discrimination around the world, she continues to be optimistic about her future. She expressed her renewed love for the sport, focusing on joy and inner peace rather than just performance. The article sheds light on the intense scrutiny that black women athletes like Richardson face, not just for their athletic performance but also for their behavior, fashion choices, and self-confidence. Moreover, the article's exploration of Richardson's traumatic experiences and her resilience in the face of adversity mirrors my own journey of coping with the traumatic loss of a parent. The pain of such a loss can be overwhelming, yet it's in these moments of darkness that we discover the depth of our inner strength and resilience. Like Richardson, I've encountered societal pressures and stereotypes that dictate how women of color should behave, present themselves, and navigate the world. These expectations often overlook the individuality and diversity within our communities, forcing us to navigate a maze of double standards and biases. As we go on to celebrate the achievements of athletes like Richardson, it's crucial to recognize and challenge these harmful narratives. We must create an environment where women of color athletes can thrive without being subjected to unfair judgment or double standards. I idiolize her bravery and strength to continue to push through her passions. #globalwells #humanrights
The fastest woman in the world is leaving her haters behind
19thnews.org
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Please have a read of my newest article for Made in Bed!
‘Jane Topping’ Jane Topping is a Glasgow-based artist with a diverse collection of works spanning genres around post-digital, sci-fi, feminism, celebrity culture and many more. Her interdisciplinary approach to her art encompasses a plethora of themes. Topping incorporates her own experiences, as evidenced by the autobiographical component of her work, into pieces that examine alternative pasts, present, and futures of her own life. - MADE IN BED’s Emerging Artists Co-Editor, Ina Benigni Catharina Benigni
Jane Topping — MADE IN BED Magazine
madeinbed.co.uk
